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・ Periclase
・ Pericle Fazzini
・ Pericle Felici
・ Pericle Martinescu
・ Pericleitus
・ Periclepsis
・ Periclepsis accinctana
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・ Pericles
・ Pericles (disambiguation)
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Pericles with the Corinthian helmet
・ Pericles' Funeral Oration
・ Pericles, Prince of Tyre
・ Periclimenes
・ Periclimenes acanthimerus
・ Periclimenes aegylios
・ Periclimenes affinis
・ Periclimenes alcocki
・ Periclimenes amethysteus
・ Periclimenes batei
・ Periclimenes brevicarpalis
・ Periclimenes colemani
・ Periclimenes dardanicola
・ Periclimenes imperator
・ Periclimenes pholeter


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Pericles with the Corinthian helmet : ウィキペディア英語版
Pericles with the Corinthian helmet

The Bust of Pericles with the Corinthian Helmet is a bust of the Athenian statesman and general Pericles which survives in the form of four marble copies from the Roman Imperial period.
== Portrait ==

The Roman copies of the bust of Pericles derive from a bronze statue made by the sculptor Kresilas. This life-size statue was probably installed on the Athenian Acropolis at or shortly after the death of the politician.〔Max Kunze argues for shortly after his death, Michael Siebler for 430 BC.〕 Pausanias says that the statue was directly beyond the Propylaea, the gate to the Acropolis. Since this statue is not preserved and only limited information is known about it, its arrangement is unclear and its details can only be guessed at by analogies and assumptions. Pericles was not shown in a realistic fashion, but as an idealised image of the long-serving ''strategos''. Whether he was depicted naked, clothed or in full armour is disputed.〔Kunze is certain that he was naked, Siebler holds that all possibilities are possible.〕 Remains of the statue's base were preserved with a dedicatory inscription. A slot in the base indicates that the statue held a spear in its left hand. The slight turning of the head indicates that the statue employed classical Contrapposto.
Pericles is depicted as an adult man with a Corinthian helmet. The helmet symbolised his military role as ''strategos''. The Berlin copy is especially carefully executed. The helmet is cocked back, with short curly hair bursting out at the temples. The beard is tightly cropped with many small, well-ordered curls. Broad, even eyelids ring the eyes and eyebrows are carved above. His full lips are slightly open. Behind the eyeholes of his helmet, further hair can be seen (as in two of the three other copies). This hair, far above where his head would be expected to end, might hint at Pericles' unusually shaped head, which is occasionally referenced in Attic Comedy by the abusive nickname "Leek-head." This deformity was said to be the reason why Pericles was always depicted in a Corinthian helmet, since this would conceal the height of his head. The presence of the hair in the eyeholes should probably therefore be seen as the addition of a learned sculptor.
Kresilas created a kind of symbol of the Athenian democracy with this image of Pericles. However the sculpture also conformed to the broadly accepted citizen ideal of the times and employed the calm and collected facial expression which was the contemporary ideal. As a result, the realistic tendencies of Athenian art, which are found to some extent in the bust of Themistocles were abandoned. The expression is serious, showing no emotion. In this the depiction squares with self-controlled personality attributed to Pericles in the historical tradition. The identification of this idealised figure with Pericles is made because two of the copies are inscribed: one in the Vatican Museum, the other in the British Museum.

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